When I’m creating, I follow what’s happening in the moment and let the music take shape from there.
For me, music is about emotional connection. Not just how it sounds, but what it stirs.
I’m interested in the point where something shifts internally, where you feel it before you name it.
That feeling can be light or heavy, calm or charged.
Joy, sadness, excitement, or something harder to describe. What matters is that it’s real.
Music has a way of meeting us there, in a shared human place. That’s the part I’m always listening for.
When the beat lands just right, my body responds first.
That’s usually how I know I’m onto something.
Creating tracks that invite movement feels natural to me. Sometimes that takes the form of a driving house track, sometimes something slower and more meditative. In both cases, the interest is the same, how music moves through the body, not just how it sounds.
Movement is part of my own process, too. I often step away from the studio to dance, letting things loosen and settle before returning.
Small pauses, small celebrations, a way of staying connected to what’s actually happening.
Music and movement are closely linked for me. One feeds the other. Together, they shape both physical and emotional experience.
Yoga and meditation are also woven into my daily life, and traces of those practices often find their way into the music, sometimes subtly, sometimes more clearly, always as a way of supporting presence and flow.
From early on, I was drawn to sound and to what it makes possible. Not just music, but the way sound allows feeling to move, deepen, and take shape.
Over time, that curiosity became a practice. I developed my skills and began working with an eclectic range of sounds, most often anchored in deep, rhythmic beats that gradually formed a recognizable tone of their own.
Alongside music, I’ve explored creativity through fashion, yoga, sensual arts, and digital work. I’ve never experienced self-expression as a single lane. It’s always moved across different forms, each one informing the others.
I’m the designer behind the high-end fashion brand Camilla Wellton, as well as the sensual accessories brand We Got Cookies. Working in fashion has taught me a great deal about material, detail, and restraint, and I continue to look for ways to bring something unexpected into what I make.
Throughout all of this, I’ve stayed close to what feels honest. That attention to authenticity has guided my choices and shaped the work over time. It’s also what allows it to resonate, quietly and consistently, with the people it reaches.
To dance…
When it comes to dancing, I love to explore the underground techno scene. There’s something about the raw energy and intense beats of this music that really speaks to me on a deep level.
I find that the underground scene is a place where people can truly let go and express themselves freely, without the constraints of mainstream culture.
For me, dancing to techno and other underground genres is a way to connect with my own creative energy and let go of any inhibitions or self-doubt.
It’s a form of self-expression that allows me to connect with my deepest self, the magic of reality, play, and tap into new creative ideas and inspiration.
I also organise parties for my lifestyle brand We Got Cookies:We Got Cookies After Hours
Resident DJs include dark disco master Ossian Reynolds and powerhouse Ty Tugwell, both beloved and notorious in the Swedish underground club scene.
I want to share a little about my relationship to my dual heritage, and what it means for me to be mixed race and living in a Nordic country.
Since joining the @futurebrownspace collective, led by Professor John-Paul Zaccarini, I’ve had the chance to connect with other mixed brown people in Sweden and explore shared experiences and perspectives.
That process naturally found its way into my visual work. Much of the artwork you see across this website and on my album covers grew from a desire to place brown women inside aesthetics that have traditionally been reserved for white women.
Growing up, I rarely saw brown or Black women represented in the media. Even now, those images are still limited in my immediate surroundings.
Creating artwork that centers brown beauty within visual worlds I’m drawn to has been quietly healing for me. My hope is that it can offer something similar to others with mixed or layered identities, whether that’s inspiration, recognition, or simply a sense of being seen.
My heritage on my mother’s side is from Guadeloupe, a small island in the Caribbean. Being part of the Future Brown Space collective has given me a shared space to reconnect with that part of myself, alongside others doing similar work.
I’m grateful for that context, and for the conversations, reflections, and connections it has made possible.
If you’re drawn to artwork that places brown beauty in unexpected settings, you’re welcome to explore my pieces. I hope they offer both inspiration and a sense of recognition.
I Awake is a nine-part book and 9 part companion journal series exploring embodiment, nervous system awareness, intimacy, and return.
The books move slowly and deliberately. They’re designed to be lived with, not rushed through.
Each book includes guided audio and original music composed and recorded by me under the name Gyndroid.
The sound isn’t there to decorate the text. It’s part of how the work functions. It supports slowing down, listening, and feeling what words alone often miss. The music holds the body while the mind finds its way.
Alongside the books, I founded The Sensual Institute, a research-based school offering live, facilitated courses built on the same framework. Where the books are a private, one-on-one experience, the Institute brings the work into shared space.
Both the books and the Institute are built on The Sensual Hero’s Journey™, a system I developed to address something most personal development models never quite reach.
Many frameworks are easy to understand, but hard to embody. You can grasp the ideas, yet your nervous system stays the same. The Sensual Hero’s Journey™ doesn’t treat this as a metaphor problem. It treats it as a physical one.
By placing the body at the center of the process, and moving through a nine-part structure that gently guides experience into integration, the system bridges the gap between knowing and being.
The autonomic nervous system isn’t something to work around here. It’s the main voice of the story.
Each destination in the Sensual Hero’s Journey™ can be entered in two ways.
The Sensual Workbooks
These are the full foundation of the journey. Long-form, in-depth, and designed to be returned to. They combine nervous-system-aware theory, somatic shadow work, and imaginal practices to help map your inner landscape. Audio and body-based practices allow insight to land gradually, without force.
The Sensual 7-Day Journals
These are shorter, focused companions. They’re meant to meet you inside daily life and bring attention back to what’s actually happening in the body before it’s explained away. They function as tools for regulation and orientation, not just reflection.
What makes this combination distinctive is the rhythm between depth and immediacy. You move between a wide map and a lived pace. The guiding voice and sound stay with you throughout, anchoring the experience and keeping it embodied.
Gyndroid is where this work breathes through sound.